FERMATA (April 2018) (FICTION)

Trailor Music and original music of the movie: Stéphanie Hamelin Tomala

Director : Kanishka Shaban

Producer: Ali Shmaisani

Synospsis: A drama set in a war-torn Afghanistan in the 1980’s, about a father trying to escape the country in order to provide a brighter future for his two children.

Music approach: The father is a composer and composes a piano piece for his daughter to learn. It became the theme of the film. I also enhance the dramatic and thriller moments with string effects and voices.

La Prescription/The Scars (2021) Web-Series

Theme Music: Stéphanie Hamelin Tomala

Director : Geneviève Sauvé

Production: Lilithfilms

Synospsis: The Scars, how do you hide them; Fear, Fight, Flight, Fxxx

Music approach: we chose to use the music to enhance the movements of the character and also her feelings as if we were in her head and with her emotions.

Excerpt 02 of  With a thousand eyes (January 2017) (Documentary)

Music/Sound design/Sound mixing: Stéphanie Hamelin Tomala

Director : David Slotema

Synospsis: In this film the people observed are connected through a cinematic dance of technology, when the day slowly fades into the night. What remains of our surroundings when the sun has set?

Music approach: The director wanted to explore the possibility of using the music as also sound design, so I used instruments (Strings and clarinets) and transformed them and created a kind of sound design that is synchronized with the clicks of the phones, but in a way that we still feel the music!!!

Hunish (November 2017)

Music: Stéphanie Hamelin Tomala

Director : Vickie Grondin and Carl Beauchemin

Producer: FLAMANT

Synospsis: Circus and dancing!

Music approach: we chose to use the music to enhance the movements of the dancer without taking the dancer's place. So we decided to go with a more experimental approach in the sounds!